Then Maggie has a series of wild hallucinations, flashing between Glenn’s death and her son’s kidnapping. She offers Amaia a place in the community where she sent Ginny. Because they’re so isolated and electricity is so hard (and so nasty) to come by, Manhattan is behind a lot of the country in the apocalypse. Maybe it’s been a while since she’s been around people that feel this level of despair.

It’s very dramatic, and Maggie’s reaction to their fight is very interesting. Tommaso says that their dream of taking back the island is a fantasy. Tommaso steals my theory that it was Luther, but Maggie cuts him off, identifying him as the mole. Amaia is still upset about the plan going awry and starts wondering who told the Burazi they were coming. Maggie sees through his bad performance almost immediately. Tommaso appears to stumble upon two oxygen tanks that the four of them can share between them. “But if you stick around long enough, you will.” Freaking finally! “You do not know the monster that I know,” she says. Maggie asks if she’s trying to find Negan and advises her against trusting him. It’s a little harsh, but we still don’t know this girl’s deal. Team Sewer stumbles on a pile of fat (gross), and Ginny tries to make a break for it. But the blue and red light provided by the flashlights and headlights ended up being pretty cool, visually.

The last thing any TWD show needs is more scenes you can barely see. At first, I was frustrated by how dark the sewers were. They’re hidden from sight but exposed to large quantities of methane. Picking up where the previous episode ended, Maggie, Tommaso, and Amaia are joined by Ginny underground. For all I know, the finale could be one big conversation. It doesn’t look like it will be a classic “all-out war” finale, the likes of which we got used to seeing on The Walking Dead. And I really don’t know how this season is going to end, which in its own way is exciting. Maggie experienced some psychedelic flashbacks and a walker unlike anything we’ve seen before in this universe. Negan and Armstrong encountered an interesting art installation.

Now we’re cooking with methane! The penultimate episode of The Walking Dead: Dead City got the wheels back in motion and got a little avant-garde. Photo: Peter Kramer/AMC/B) 2022 AMC Film Holdings LLC.

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